#STORYSPACE JAY DAVID BOLTER MAC#
#STORYSPACE JAY DAVID BOLTER WINDOWS#

In previous versions, these might include conditions such as which writing spaces (each node or page of content) had been visited previously, and those have been extended in version 3. These are tests applied to determine whether a given link can be followed at this reading. One of the fundamental differences is the presence of Guard Fields on links. Hypertext in Storyspace is much more than the simple links you have experienced in HTML. There are six different views of the hypertext structure, which are shown in the following screenshots: Map, Outline, Chart, Attributes, Timeline, and Treemap. Version 3 has a thoroughly modern interface which makes excellent use of large displays. This is a far cry from fiction, and was never intended to appear in Storyspace, but must count as a pretty good stress test. I have not yet had a chance to explore Storyspace 3 in any detail, but as a test of its robustness, I imported a very large (7.9 MB) Tinderbox reference to the features of Tinderbox (aTbRef). The last time that I can recall using Storyspace is almost ten years ago, as the screenshot above demonstrates it was taken of the monumental hypertext book, In Memoriam Web, about Tennyson and the Victorians, which then blossomed into The Victorian Web, on the web. I used to use Tinderbox quite a bit, but superb though it is, it dropped out of my workflow some years ago. Storyspace integrates strongly with Eastgate’s sister product, Tinderbox, a note-making environment which is as mature. Storyspace in a previous incarnation, showing the elaborate hypertext structure of the In Memoriam Web. These and other works are available from Eastgate’s online shop. Some of the great works of hypertext literature have been created using Storyscape – Michael Joyce’s afternoon, a story, Stuart Moulthrop’s Victory Garden, and Shelley Jackson’s Patchwork Girl. I am equally sorry that Apple did not see fit to ensure that HyperCard was here to accompany it. Now, after 28 years, I am delighted – and deeply so – that Eastgate Systems has just released version 3, which runs a treat on OS X 10.11, El Capitan. Four years later, it was taken forward by Eastgate Systems and Mark Bernstein.

#STORYSPACE JAY DAVID BOLTER MAC#

Mac users were able to explore hypertext concepts when Apple released HyperCard in 1987.Īt roughly the same time, in 1987, Jay David Bolter and Michael Joyce, with John B Smith, presented their hypertext authoring and reading environment intended primarily for fiction, Storyspace, to the first international meeting on hypertext, ACM Hypertext 1987. Tim Berners-Lee and others then developed early hypertext-based systems which evolved into the World Wide Web, and so the first HyperText Markup Language (HTML) was coined. Originally conceived in 1963 by author Ted Nelson, it was first realised in a demonstration computer system by Douglas Engelbart in 1968. Eastgate Systems’ Storyspace is the only such app which springs to my mind.īack in the 1980s, which I realise is around thirty years ago, and before many of you were born, hypertext was the VR of the day.

As a member of the Augmented Environments Lab, he develops AR applications to stage dramatic and narrative experiences for cultural heritage and informal education.įor more information about Prof.There aren’t many apps still around and thriving which can claim to be the first of their kind: pieces not just of computer history but of our cultural history too. With Michael Joyce, he created Storyspace, a hypertext authoring system. In addition to writing about new media, Bolter collaborates in the construction of new digital media forms.

#STORYSPACE JAY DAVID BOLTER WINDOWS#

Jay David Bolter is the Wesley Chair of New Media at the Georgia Institute of Technology. He is the author of Turing's Man: Western Culture in the Computer Age (1984) Writing Space: The Computer, Hypertext, and the History of Writing (1991 second edition 2001) Remediation (1999), with Richard Grusin and Windows and Mirrors (2003), with Diane Gromala.

The rise of digital media did not cause the decline of elite culture, but digital media do support and foster the diversity of popular culture today. Since the middle of the twentieth century, traditional cultural hierarchies in the visual arts, literature, and music have broken down. The other is the end of our collective belief in Culture with a capital C. One is the rise of digital media: websites, video games, social media, and mobile applications, as well as all the remediations of film, television, radio, and print that now appear in digital form.

Two developments in the second half of the twentieth century have defined our media culture in the twenty-first.

Storyspace jay david bolter